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Love is a Repeating Pattern: A Comparison of Vertigo and Birth

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Introduction to Trouble with Harry

HtichCon '21: What’s It All about, Alfie? • 12m

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  • Love is a Repeating Pattern: A Compar...

    What is the price of a great love if it blinds one to the present reality? Buckley explores the affinities between Hitchcock’s Vertigo (1958) and Jonathan Glazer’s Birth (2004)—two films that riff on the myth of Orpheus and Eurydice—to explore themes of obsession, repetition, projection and grief...

  • Hitchcock’s Storyboards and Visual Art

    Through meticulous pre-planning and the use of camera logic, Hitchcock was renowned for putting everything down on paper, working with such art directors and storyboard artists as Robert Boyle, Henry Bumstead, Saul Bass, Salvador Dalí, and Harold Michelson. Tony discusses these collaborations and...

  • Lisa’s Fourth Lamp

    Hitchcock found a vast variety of ways to use floor and table lamps within a scene. They blind, trap, suggest, signal, and mark for murder. In a couple of films, lamps even follow people around like puppies. But Hitchcock almost always saved one lamp to mark the place where Love meets Murder. In ...